Great news for shutter bugs everywhere, my good friends at Rockynook publishing have put together a series of books specifically for beginning photographers called The Enthusiast’s Guide. It includes books on creating multi-shot techniques by Alan Hess, a guide to portraiture by Jarod Fosters, and a book on composition from yours truly. The series will be released this October. Good things to come!
To accomplish the clean white background, normally I would shoot on white seamless (lit to delicious pure white perfection), but my studio gear is currently packed in moving boxes (yes, still), and I didn’t want to mess with setting up hot shoe flashes, so I put together this low-tech and super easy solution using only available light (and set-up took all of 30 seconds!).
I photographed him on 30×40 white foam board (sold in a 10-pack which is GREAT because they are handy for so many things!), sitting about where you see the dragon in the photo below. I used one piece for him to sit on, another behind him (propped up by a basket), and a third piece opposite the window to bounce the light and fill in some of the shadows. You can see the set-up in the photo below.
The photo below is the result straight out of camera (SOOC). Because I was using only available window light coming from the front/left, I wasn’t able to blow out the background by over exposing it the way you easily could in the studio. Thus, we can see the seam where the floor board meets the background board, requiring a small adjustment. (And, that’s our wood floor peeking out from below the foam board at the bottom of the photo.)
I used the Dodge Tool (O) to clean up the background, paying special attention to the seam where the two boards come together. To fix the floor, I used the Eye Dropper (I) to sample the white near the bottom of the foam board and the Paint Brush (B) to simply paint over the wood floor.
Working with white backgrounds can be tricky when you’re not shooting them in the studio. Dodging can make things appear to be in order, but if you view the image on various screens from certain angles, you might see your brush strokes. To prevent this, I like to add a temporary Levels Adjustment Layer which I purposely destroy with a severely exaggerated midtone adjustment, which shows me any spots I may have missed with the Dodge Tool, as seen below. To fix any errant background information, I simply dodge the background layer while the Levels Adjustment Layer is still active, effectively checking my work as I go. When I’m finished, I drag the adjustment layer to the trash.
To create a more organic feel, I opted to add some paper texture to the design. You can use any kind of texture file you want. I used paper48.jpg from this Give Me Some Papers Quick texture collection by Nicky Laatz. After making sure the texture file was sized appropriately for my image, I dragged it into the composition and changed the layer’s Blend Mode to Multiply.
Next, I added two text layers using Monster and Rockwell typefaces and used the Eye Dropper Tool (I) to select the text colors from within the image itself. Finally, I added the spider web graphic (again, changing the layer Blend Mode to Multiply) to finish the design.
Congrats to Megan & Ben who tied the knot this past Friday! Two big cheers for Friday fall weddings in Nebraska!
As baby and I officially hit the 34 week mark, I finally sat down to layout the pregnancy diary I’ve been putting together. When I posted the results, I was asked to release it as a template, and happily—I obliged! The result is this 86 page template for a 7×7 hardcover (image wrap) Blurb Book. Here are the key features:
Tips for Super Crazy Easy (NO STRESS) Diary Keeping:
And that’s it. Keep it simple, pregnancy can be hard enough on its own. Hang in there mama!